Credits
| Coaching & direction | Kallirroi Myriagkou |
| Lighting design & console | Dimitris Poulimenos |
| Costume design | Ifigeneia Daountaki |
| Choreography | Anna Lianopoulou |
| Set pieces | Nikos Argyreas |
| Sound | Christos Damoulakis |
| Poster & programme | Petros Papageorgiou |
| Stage management | Georgia Tourlou, Kostas Pitidis |
Music
Pablo Casals plays BACH – Suite no 1 for Cello
VIVALDI – Concerto in C and G minor (Carnival in Venice)
Paizoun
| Mariella Papageorgiou | Lucietta |
| Maria Chyntiraki | Margarita |
| Themis Panagiotou | Lunardo |
| Antonis Trimis | Maurizio |
| Mantalena Tseroni | Marina |
| Andreas Ninos | Filipetto |
| Dimitris Xydous | Simon |
| Emmanouella Xydaki | Felice |
| Michalis Kyritsis | Canciano |
| Giorgos Salamalekis | Count Riccardo |
| Stelios Vamvounis | Gondolier |
A stunning production! The Experimental Stage at its best. Carlo Goldoni’s “The Boors”, directed by Kalliroi Myriagkou. A show dedicated to women, who ever since this play was written in 1760 have been trying to tame BOORS…
It is truly a stunning production that places the Milos Experimental Stage among theatre companies of real stature.
Excellent direction, great performances, spectacular costumes!
This is a production not to be missed, and it is writing its own chapter in the cultural life of Milos.
Edo Kati Simantiko Ginetai!
